Category: Conferences

William Carlos Williams in Paris

Join the William Carlos Williams Society in Paris, in heart of the Latin Quarter, for the 11th William Carlos Williams Society Biennial Conference. We seek papers on any aspect of William Carlos Williams’s works, but we especially welcome papers relating to Williams and Paris, Williams and French or francophone authors, or on readings of Williams’s work in relation to one or more of the alumni of the École normale supérieure in Paris

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William Carlos Williams and Failure: MLA Toronto 8–12 January 2026

Join us in Toronto for our 2026 MLA session “William Carlos Williams and Failure.” How did William Carlos Williams understand “failure”? Proposals on unfinished works, works Williams understood as failures, the opportunities he saw in failure, or how poets/critics have evaluated his work and his place in literary history. 

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Digital Williams:ALA, Boston, Massachusetts, 21–24 May 2025

Join us in Boston for a panel discussion organized around the presence and circulation of Williams in social media, in digital archives, and across digital platforms. How do digital platforms and tools enable readers to engage with Williams’s poetry and prose or make visible the critical art of reading poems? What new digital platforms (and/or tools) might be useful for readers, students, teachers, and scholars of Williams?

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ALA 2023 (Boston) The Great American Novel at 100

How do we understand its mixed composition, its challenge to novelistic chronology, and its shifts of voice from persona to persona? What do we make of the fact that much of it is stolen? Is the dialogue between the urbane interrogator and the one he calls “mon vieux coco” central? What does the text teach us about the canonical idea of a “great American novel”?

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MLA 2021 William Carlos Williams Thinking

A session dedicated to exploring William Carlos Williams’s thinking about the nature, function and operation of the mind. What would it mean to read Williams without privileging familiar terms and categories like imagism, objectivism or, more provocatively, the ordinary things which have so often anchored critical treatments of his work?

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